Midland Music, our professional music series, offers a variety of programs from classical to jazz to just plain fun! All of the programs are of the highest caliber with musicians from the Metropolitan Opera, Manhattan School of Music, and other prestigious organizations.
Our concerts are casual, and the intimate size of the auditorium makes it easy for the performers to interrelate with the audience, making a rewarding experience for seasoned and novice concertgoers alike. A great way to introduce children to the joys of classical music! Receptions after the concerts complete the experience.
Come to our concerts and help support local charitable organizations! A portion of the ticket sales for these concerts will be donated to the following charities:
October 18, 2009: Friends of Karen, www.friendsofkaren.org
November 15, 2009: Pajama Program, www.pajamaprogram.org
January 31, 2010: Ferncliff Manor, www.sailatferncliff.com
March 14, 2010: E.C.A.P. (Eastchester Community Action Program)
The Music Programs at the Bronxville Women’s Club have been made possible through a grant from Senator Jeff Klein.
*********************************************************
2009-2010 Music Department Programs
Midland Music, our Professional Series:
Oh Love, True Love!
or The Lass That Lov’d a Tenor
Amorous Airs and Duets of Gilbert and Sullivan
Sunday, October 18, 2009 2:00 P.M.
Cynthia Reynolds, soprano
Richard Slade, tenor
Diane Guernsy, piano
*******************************************************************
Sunday, November 15, 2009 2:00 P.M.
. Violins: Calvin Wiersma, Andrea Schultz
Viola: Sarah Adams
Cello: Susannah Chapman.
Guitar: William Anderson
Piano: Joan Forsyth
William Anderson, began performing chamber music at Tanglewood at age 19. He now performs in guitar festivals and new music festivals in Europe, the U.S., Latin America and in Japan. In New York Anderson performs regulalry with many ensembles including Sequitur, and the
Cygnus Ensemble, which he founded in 1985. For ten years he was a member of the Theater Chamber Players in Washington D.C., under the direction of Leon Fleisher and Dina Koston. He has performed with the Metropolitan Opera Chamber Players, under James Levine, the Chamber Music Society of Lincoln Center, Da Capo Chamber Players, Speculum Musicae and the York Philharmonic.
Anderson appears on many CD recordings, and he has made four CDs that feature him: The Guitar Music of Meyer Kupferman, on Soundspells; Diary of a Seducer, on CRi; and Hausmusik, on Furious Artisans; and Music of J.K. Mertz on Titanic Records. He appears on numerous other CDs on various lables including Koch, Bridge Records, and Open Space.
Anderson’s compositions have been heard on Danish National Radio, Polish National Radio, and at festivals including the Europe/Asia Festival in Kazan, the Weekend of Chamber Music in the Catskills, the Rotenburg Festival in Northern Germany, and various music festivals in Spain and Italy. He teaches guitar at Sarah Lawrence College, and at Queens College.
Susannah Chapman. is well-established as a chamber musician, soloist, contemporary music interpreter, and performer in leading chamber orchestras. The principal cellist of the Mostly Mozart Festival Orchestra, she is a former member of the Saint Paul Chamber Orchestra and currently performs regularly with the Orpheus Chamber Orchestra. In past seasons with Orpheus she has toured Southeast Asia, Europe, South America, Japan, appeared in Carnegie Hall, and performed on their European chamber music tour. Premiering new works by many of America's leading composers, Ms. Chapman performs with the Bang-on-a-Can All-Stars, the cello quartet "Cello", and is a member of Cygnus, a contemporary music sextet with its own series at Merkin Hall, and residencies at both Sarah Lawrence College and City University of New York. Ms. Chapman has appeared at Jacob's Pillow as a soloist with the Mark Morris Dance Company in works designed for and premiered by Yo-Yo Ma. She has traveled to Australia with Bang-on-a-Can All-Stars to perform contemporary concertos in the Sydney Opera House as part of the Olympic Arts Fest! ival. Ms. Chapman is a founding member of the string trio Trigon and spent several summers at the Marlboro Music Festival, performing with such artists as Midori, Samuel Rhodes, and Isidore Cohen. With Musicians from Marlboro she has toured nationally. She regularly performs a gives masterclasses with The Walden Chamber Players, and her chamber music performances with other New York groups have been heard at the 92nd Street Y, Weill Recital Hall, Merkin Hall, the Metropolitan Museum, on NHK Television, and on WNYC. Ms. Chapman holds a Doctorate of Music from SUNY Stony Brook, and is the cello instructor at Sarah Lawrence College.
Calvin Wiersma, violinist, has appeared throughout the world as a soloist and chamber musician. He is currently a violinist with the Manhattan String Quartet. He has performed numerous solo recitals, including appearances in Boston, New York, and Chicago, and has appeared with the Rochester Philharmonic Orchestra, The Concerto Company of Boston and the Lawrence Symphony, among others. He was a founding member of Meliora Quartet, winner of the Naumberg, Fischoff, Coleman and Cleveland Quartet competitions. The Meliora Quartet was the Quartet-in-Residence at the Spoleto Festivals of the U.S., Italy and Australia and recorded Mendelssohn’s Octet with the Cleveland Quartet on the Telarc label. Mr. Wiersma was also a founding member of the Figaro Trio. In addition to his extensive touring with the Quartet and Trio, Mr. Wiersma has been heard at the summer Chamber Music Festivals in Vancouver, Rockport, Portland, Crested Butte, An Appalachian Summer, and at Music Mountain, as well as the Aspen Music Festival. A regular performed on National Public Radio, his most recent project involved a series of broadcasts performing the complete Beethoven Violin and Piano Sonatas with the pianist Catherine Kautsky. In addition to his performing activities, Mr. Wiersma is classical co-ordinator for Culturefinder, the largest Internet address for the Performing Arts.
Joan Forsyth is a regular guest pianist with the Cygnus Ensemble. Joan Forsyth is a multi-faceted musician who has received critical acclaim as a soloist and chamber music artist. She has been heard throughout Europe, Japan, South and North America in a wide range of repertoire, embracing the standard piano iterature as well as the most recent works. Her prize-winning performances in the 1990 Concerts Atlantique and La Gesse competitions set in motion tours of France and Switzerland, and since that time she has maintained a lively concert schedule, She has collaborated with such ensembles as the Cassatt Quartet, the Theater Chamber Players of the Kennedy Center and CYGNUS, and appeared as soloist with the New Westminster Symphony, the Westchester Philharmonic and the Westchester Chamber Orchestra. She toured the Netherlands and Scandinavia with CYGNUS and a program of new American music in 1997 and again to Russia for the Europe-Asia Contemporary Music Festival in 1998. She will return to that festival this spring in a program of new piano solo works by Canadian composers. In 2004 she toured Japan with Trio Spark! and a program of new Japanese and American pieces. Her performances have been broadcast over WNYC, WFAS, Vermont and New York Public Radio, RAIItaly), Radio Denmark and Polish National Radio.
Ms. Forsyth also makes recital appearances with duo-partner guitarist William Anderson. The two premiered and recorded Charles Wuorinen’s Sonata for Piano and Guitar. (CRi and Albany)
peAnderson/Forsyth's recent Albany recording of the Wuorinen Sonata was reviewed in the May/June, 2009 issue of Fanfare---
"--virtuosos in their own right, and together produce chamber music proper...close observance of each other's actions...a very tight performance."
S he appears on seven other CDs on Albany, CRi, Furious Artisans, and Soundspells.
*********************************************
Family Concert – for all ages
Sunday, January 31, 2010 2:00 P.M.
Jason D. Ham, euphonium
Ron Levy, piano
Jason D. Ham, now in his seventh year with the West Point Band, has established himself as one of America’s most active euphonium soloists. Originally from Columbia, South Carolina, Jason began his studies of the euphonium in high school, garnering many local and state awards for his playing. Jason attended college at the University of Georgia where he studied under the late Dr. David Randolph and David Zerkel. While at the University of Georgia, Jason was the winner of the Atlanta Brass Society Collegiate Soloist Competition (1998), as well as a finalist in the Music Teacher’s National Association Competition (2000). In June of 2001, just before completing his studies at UGA, Jason won a position with the United States Military Academy Band, to be followed by his winning the Solo Euphonium Artist Competition at the International Tuba and Euphonium Conference just two months later. (Lahti, Finland). Jason has twice been invited to judge this competition, both in 2004 (Budapest, Hungary), and 2006 (Denver, Colorado, USA).
Today, Jason is being recognized as a pioneer of the euphonium, having already taken the instrument to many places that have never seen the instrument in a solo role. In October 2004, Jason participated in the first military to military musical interaction between the nations of the United States and China when he performed with the People’s Liberation Army Band in Beijing. It was the first time that a euphonium had ever been seen in a solo role in that city. In July of 2005, Jason gave the first-ever solo recitals of the euphonium in the nations of Macedonia and Bulgaria. During his visit, his performances were heard on Bulgarian Public Radio and Macedonian Public Television. In September of 2007, he was the first-ever American euphonium soloist to appear in the nation of Argentina, performing at the Encuentro de Tubas y Eufonios, held in Buenos Aires.
Recent accomplishments have included his appointment as visiting professor of euphonium at Montclair State University, as well as being named as the Valade Fellow in Euphonium at the Interlochen Summer Arts Camp in northern Michigan. Additionally, he is active in commissioning new works by leading wind band composers, including concertos by Joseph Turrin (2006) and David Gillingham (2008). Further commissions are in the works in collaboration with Johann de Meij, Peter Meechan, and Amanda Harburg.
Jason made his solo debut in Carnegie Hall in April of 2009, playing the concerto “Cantiphonia” by Bert Appermont at the 7th Annual New York City Wind Band Festival.
Jason Ham is a Yamaha Performing Artist, and performs exclusively on the YEP-842 Euphonium.
RON LEVY, internationally acclaimed pianist, has been called "first-class" by the New York Times. He regularly appears as a soloist, and in partnership with many of the world's leading singers and instrumentalists. A graduate of Oberlin, Mr. Levy is a founding member of the Hudson Trio, Kaleidoscope, the New World Trio, the Manchester Chamber Players, and the Palisades Virtuosi; he has been pianist and harpsichordist of the Oberlin Orchestra, the Adelphi Chamber Orchestra, the New Jersey and North Jersey Philharmonics, the Westchester Symphony, and the Albany Symphony. Presently he is Associate Artist with the All Seasons Chamber Players, and is the pianist of the Orpheus Men's Chorus and Ridgewood Choral. Since 1985, Mr. Levy has been associated with the Manchester (VT) Music Festival, of which he is a faculty and Board member. While living in Vermont, he was Music Director & Conductor of the Opera Theatre in Weston, and impresario of the "Third Saturday" chamber music series at the historic Equinox Hotel, as well as the "Music on the Hill" series at the Southern Vermont Art Center. A champion of new music, he has been the recipient of a considerable number of works written for him by prominent composers. Mr. Levy has taught at numerous colleges, and is currently an instructor at Montclair State University, Kean University and the Ridgewood Conservatory; he maintains an active and on-going affiliation with the Manhattan School of Music, Juilliard, and NJ PAC. Recently, Mr. Levy conceived two "mini-festivals," one based on music inspired by the "Ondine" myth, the other on works by "Les Six," which were presented by the NY Public Library at Lincoln Center in 2006 & 2007.
Recordings by Mr. Levy are available on the Albany, Centaur, Eroica, Koch International, MMF and High Point labels.
*************************************************************
An Afternoon of Beautiful Music
Sunday, March 14, 2010 2:00 P.M.
Joyce Balint, mandolin
Susan Jolles, harp
Elizaveta Kopelman, piano
PROGRAM
Arrival of the Queen of Sheba G. F. Handel/David Curran
Sinfonia from Solomon, Act III
Spanish Dance Granados-Kreisler
Norwegian Dance Edvard Grieg
Joyce Balint, violin
Elizavita Kopelman, piano
Song of the Black Swan H. Villa-Lobos
Notturno No. II R. Kreutzer-N.C. Bochsa
Joyce Balint, violin
Susan Jolles, harp
Sonata in G Major Giuseppe Paolucci
Allegro – Andante -- Allegro Three Dances Turlough Carolan
Madam Maxwell – Carolan’s Nightcap – Lady Gethin Brighid Cruis Turlough Carolan
Joyce Balint, mandolin
Susan Jolles, harp
Terzo Rondoletto Johann Nepomuk Hummel
Sonata Turin
Susan Jolles, harp
Elizavita Kopelman, piano
Three Mazurkas Frederic Chopin
Elizavita Kopelman, piano
The Minstrel Boy Irish Traditional arr. by Glenn Hardy
Joyce Balint, violin
Susan Jolles, harp
Elizavita Kopelman, piano
Joyce Rasmussen Balint is the mandolin soloist with the Metropoliltan Opera Orchestra. An active free-lance musician, Balint has performed with many musical organizations throughout Westchester, including the Chappaqua Chamber Orchestra, the Westchester Synphony, and the New Rochelle Opera. In New York City, she has played with orchestras such as the Amor Artis Chamber Orchestra, New York City Opera and the Little Orchestra Society. She has appeared with the Boston Symphony Orchestra in Boston, New York and Tanglewood on the mandolin in Mahler's Symphony No. 8 and Schoenberg's opera, Moses und Aron. She is a frequent soloist with orchestras and in recital in the New York metropolitan area and the United States. She has appeared on PBS Live from Lincoln Center, on WQXR she was featured on the "Young American Artist Series" and has been a guest on Bob Sherman's "Listening room," and on WNYC with Steve Sullivan. Balint is on the faculty of the Mozartina Musical Arts Conservatory in Tarrytown and maintains a private studio in Bronxville. She has taught in music festivals in Italy. Joyce Balint will be performing Vivaldi and Hasse concertos with the Northern Westchester Symphony Orchestra on both the violin and mandolin on May 23.
Joyce Balint is the current president of the Bronxville Women’s Club and co-director of its professional music series, Midland Music.
Susan Jollesis a founding member of the Naumburg Award-winning Jubal Trio and is presently solo and principal harpist with the American Composers Orchestra, the Little Orchestra Society, Musica Viva and the Queens Symphony
Orchestra. In addition, she is an associate member of the
Metropolitan Opera Orchestra. Ms Jolles is a frequent guest artist with such groups as the North/South Consonance and Percussia. Since receiving a Fromm Fellowship in 1963 for the
performance of Twentieth-century music, Ms Jolles has been recognized as a gifted interpreter of contemporary music. Such composers as Elliott Carter, Luciano Berio, George Crumb, and Charles Wuorinen have chosen her to present their works. Ms. Jolles is on the faculties of Manhattan School of Music and the Mannes College of Music. She has arranged many compositions for harp, several of which are published by the International Music Company, Theodore Presser and Lyra Music. Music is a family matter for Ms. Jolles. While maintaining a private teaching studio with her husband, composer Jerome Jolles, in Forest Hills, New York, she and her daughter, Renee, perform regularly as the Jolles Duo.
Elizaveta Kopelman was born in Moscow in 1974. She studied at the Centeral School of Music with Dina Parachina and with Arnaldo Cohen at the Royal northern College of Music in Manchester, where she won numerous prizes and awards.
In 1995 Elizaveta was selected for representation by the Young Concert Artist Trust in London. She has appeared as a soloist throughout the UK, Europe, USA and South America including debut recitals and concerti at the Purcell Room, Harewood House, Wigmore Hall, Barbican Centre, Royal Opera House Linbury Studio Theatre, Bridgewater Hall and Weill Recital Hall at Carnegie Hall among others. Her chamber music collaborations include violinists Priya Mitchell, Lucy Gould and Peter Krysa, violist Jeanne Mallow, cellist David Geber, the Leopold String Trio, Ying Quartet, Jupiter Chamber Players, and members of the Metropolitan Opera Orchestra.
Elizaveta has appeared at such festivals as the Mozarteum Argentino, Flanders, Mecklenburgh, Summit and Cratfield where in 2004 she performed Shostakovich’s 24 Preludes and Fugues.
At the opening of the 1999/2000 seasons she performed Mozart’s Concerto K.467 at the Royal Festival Hall with the London Chamber Orchestra.
Other concerto performances include Rachmanninov Paganini Variations with the London Concert Orchestra and with the Iceland Symphony Orchestra, Shostakovich Concerto No.2 with the London Philharmonic, Rachmanninov Concerto nr.2 and Beethoven Concertos nos.4 & 5 with the Norfolk Symphony Orchestra, and the Schumann Concerto with the Guilford Philharmonic.
In February 2002 Elizaveta performed Beethoven’s Triple Concerto with the New York Chamber Symphony at Alice Tully Hall, Lincoln Center.
Elizaveta has given live broadcasts for both BBC Radio 3 and Classic FM, appeared on Anglia TV and recorded for the Naxos label. She also performs regularly with
her father, violinist Mikhail Kopelman.